the volcano series
pay no worship
Born and raised on Fogo, a tiny African Island, cousins Martin and Jose live at the base of a giant volcano and struggle to make a living in the precarious wine industry that has been the main source of their family's income for generations. While one refuses to give up on tradition and is content to continue living a simplistic rural life, the other longs for a visa to America in order to pursue a higher education. Both dreams and volcanoes are at risk of erupting as the cousins fight for opportunity, understanding, and their lives when a tropical storm headed toward the island threatens to destroy everything they know.
new writing prize semi-finalist, Papatango Theatre, London
workshop & reading, Flat Earth Theatre, Boston
finalist, 2023 Susan Smith Blackburn Prize
“This play brings necessary attention to the countries and small islands that are most impacted by climate change, which is largely driven by the global north.”
— Broadstreet Review (full review)
“Extraordinary. . . its emotional impact is profound and its message is as essential as the Earth itself.”
— Talkin’ Broadway (full review)
minor·ity
Diaspora Now!, an international African arts conference, is celebrating its Diamond Jubilee in Paris and the panel line-up this year is sure to cause a stir. Newcomer Sami Monroe, a go-getting directing prodigy from America, joins jaded veteran painter Céza Depina and formerly banned storyteller, Cheikh Malick Diallo. As they prepare for each panel discussion, generational and cultural differences lead to clashes and a fierce competition emerges between the three artists. In a world plagued with scarcity, minor•ity is a powerful 3-hander that interrogates Black identity, the plurality of the African diaspora, and what it means to be a sought-after artist of color.
commissioned by Colt Coeur, NYC
creative residency finalist, SPACE on Ryder Farm, Brewster, NY
the merry wives of grenoble
With the arrival of newcomer Jesuína, the Count now has a wife for every day of the week! But her rebellious personality causes dissent among the other wives, shaking up their routine and causing some to finally see the inequity of this unorthodox polygamous marriage. And when Jesuína makes a bold proposal to the other women-kill the Count and flee the Cape Verde islands to enjoy his rich estate in his native France-each woman is forced to reevaluate their relationship to one another, to themselves, and to their home.
workshop and reading, The Public Theater, NYC
developed through The Public Theater’s Emerging Writers Group Fellowship, 2020-2023